Process


Restoration Reinterpretation Custom Design Conservation Appraisals Katie Designs MPF Store Articles & News Site Map Search

 

Home
Up


MPF A
ccepts Credit Cards For Your Convenience

Please contact our webmistress if there are unlinked pages,
below.

The Conservation Process

(Note:  Restoration and Reinterpretation often do not include all these processes, so this article is outlining the process of conservation which has all components.)

Conservation processes usually include examination and research, sometimes scientific, often historic, to determine the methods used in the creation of the piece.  Often an upholstered piece is:

bullet

Excavated (disassembled), layer by layer, starting with;
bullet

Trim

bullet

Upholstery

bullet

Form (or Build-up)

bullet

The form (build-up) and upholstery is cleaned and repaired as necessary and appropriate, in preparation for the rebuilding;

bullet

The frame joints and body are examined, cleaned and repaired as necessary;

bullet

The finish is also cleaned and repaired as necessary

bullet

The form is rebuilt, using original methods whenever possible, unless it is detrimental to the structure of the piece; 

bullet

The piece is re-upholstered,  using original methods whenever possible, with the cleaned, repaired upholstery.

In all areas, the processes used are the process that went into the original building of the piece, unless there is a qualified reason to do something different.  One such reason may be that an older technique might forever damage the frame, while a newer technique might save the piece.  These decisions are not made by the conservator alone, but by the owners and the conservator together.  MPF takes into account the physical deterioration of the piece and the implications of the work done in preserving its structure and value.  If the piece is very valuable, any parts not used are set aside and handed back to the owner with a detailed explanation of where it was found, and how and when it was installed, if this can be determined.   

The processes of excavation, cleaning, repairing, and rebuilding are usually documented and given to the institution or owner to become part of the history of the piece.  The documentation may also become part of an exhibit on the piece or on caring for pieces in a museum, or a thank you presentation for donors who contributed to the preservation of the piece.

MPF initially takes the attitude of the conservator with any piece, and if a piece is valuable recommends actions that are appropriate to the piece.  Occasionally owners are unaware of the importance or value of their piece!  Sometimes “appropriate action" means simply touching up, cleaning, and polishing the finish on wood, for instance, rather than refinishing a piece.  While a shiny new finish may look wonderful (restoration), it often devalues its worth by hundreds or even thousands of dollars.  If the piece needs more work than the owners can afford, sometimes temporary measures can be recommended.  MPF informs owners of the consequences of their decisions prior to taking steps, from a conservator’s point of view.

A client that is hiring us to do conservation or restoration work will go through some or all of the following steps (as is applicable), with or without thorough documentation, as is appropriate: 

bullet

An examination of the piece with an eye to the work needed and an evaluation of the problems inherent in the work are executed.  In a non-intrusive manner, the original design intention (function & fabric), structural integrity, build-up, fillers, and the integrity of the finish are evaluated.

bullet

A non-certified (translated: educated guess) appraisal of the piece's age, period, and style are done.  Often during excavation these guesses are confirmed or changed.  If needed or requested, we will recommend that a certified appraiser be involved and coordinate this request. 

bullet

An estimate is offered.

bullet

A gentle and thoughtful excavation of the piece, layer-by-layer.

bullet

Marquetry, parquetry, veneers, and other specialties are repaired as necessary.

bullet

We rework or create from scratch any broken parts, whether they be in the frame, upholstery or form, either ourselves or with the help of our co-conservators.

bullet

Nails, pulls, and other case good parts are replicated as needed.

bullet

We touch up, clean, and/or refinish the existing finish, as is appropriate.  Again, we rarely recommend refinishing except in cases where severe damage has been done to the whole piece.  More often, we clean, glue, burn-in, and polish damaged areas. :

bullet

In terms of upholstery, and assuming the client wants to restore the piece (as opposed to conserve the original upholstery) to its appropriate time period, we normally choose to
bullet

Find appropriate fabrics and trims in keeping with the period

bullet

Clean and restore the original upholstery, or

bullet

Coordinate custom milling of fabrics and trims.

bullet

We retie, replace, and re-web springs or other internal structures as they were originally intended, unless it is going to weaken the overall structural integrity of the piece.  (For more detailed examples of the choices inherent in repairing structural problems, read some of our case histories in our Conservation Portfolio or our Restoration Portfolio.)

bullet

We clean & re-card the existing hair, moss, cotton, feathers or other fillers when appropriate. 

bullet

We add new compatible stuffings if necessary.

bullet

We replace or add under coverings.

bullet

We reupholster the piece with the conserved or new upholstery

bullet

We trim the piece with either the conserved trims or new trims, as is appropriate. 

bullet

We detail the piece as necessary and appropriate.

Custom Design is a true departure from the above items.  The process is akin to any design process, with front work done with the client to determine the client's needs and the pieces parameters.  If reproduction work is requested, such as reproducing an antique chair to round out a set, the original piece is procurred as part of the design process.

Estimates are offered after design work is completed. 

We are considerate of our customer's time and schedule pieces to be delivered to us at the time we are ready to begin work.  We do not store furniture.  However, true conservation, preservation or restoration work takes time, and complicated pieces may be in our workshop for months! 

Contact Information

                                Telephone:   503.970.2509 / 541.899.3306
                                        E-mail: [Sorry for the inconvenience.  Our email addresses are spelled out so the spammers can't simply
                                                               lift them easily.  Copy and paste, & substitute the @ sign for the "(at)" with no spaces.]
                                            General Information:  MitchellRPowell (at) aol.com
                                            Webmistress:  Dkatiepowell (at) aol.com
 ©Mitchell Powell Furnishings                          Clipart graphics from Microsoft
Our PDF documents are not printable; however, if you would like a reprint please contact us and we can send you one.